NoYank. Remove All American Media And Culture From Your Life

The bizarre ‘bit’ on last Saturday’s Late Late Show in which US presenter Conan O’Brien was coaxed into mocking the Irish-language names of people in the audience was an illustration of this self-loathing colonial cringe. Evidently, the Anglocentric mind finds great amusement in different languages having different phonetic systems.

Late Late Show audience members denigrating the Irish language, couching this ridicule as ‘humour’.

https://inv.nadeko.net/channel/UCHfRlg0a94EK7t6n5HrymPA

cross-posted from: https://lemmy.ml/post/20964207

Everyone thinks Bram Stoker in 1897 was the Irishman who brought vampires out of Romanian folklore into the mainstream, but Le Fanu scooped him by 25 years.

It's a quick read, about three hours.

cross-posted from: https://feddit.uk/post/18164065

Production is now under way in New Zealand on “Marama,” a gothic horror film from Māori writer-director Taratoa Stappard (“Taumanu, Emkhatsini”). Production is taking place around Auckland on New Zealand’s North Island and in the South Island’s Otago region.

Set in North Yorkshire, England, in 1859, “Marama” is the story of a young Māori woman’s fight to reclaim her identity and indigenous culture in Victorian-era Britain. The film title comes from the woman’s name.

The film features Māori actor Ariana Osborne (“Madam,” “In A Flash”) in the lead role, alongside British actor Toby Stephens (“Black Sails,” “Die Another Day,” “Percy Jackson and The Olympians”) who has recently wrapped principal photography on the project.

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“This film will be confronting, bloody and entirely unique, and I’m excited to be forging a new genre: Māori gothic horror,” said Stappard, who lives in the U.K. and whose lineage includes the Māori tribes Ngāti Toa, Ngāti Raukawa and Ngāti Tuwharetoa.

IMDb

cross-posted from: https://feddit.uk/post/18011751

Ghosts usually come with a fair bit of baggage in the movies: A tragic romance leading to an even more tragic suicide, maybe, or a howl for justice from a murder victim from beyond the grave. The protagonist of “Dead Talents Society” has no such tale attached to her untimely (and embarrassing) death, and this is where her problems begin. John Hsu’s frightfully entertaining Taiwanese horror-comedy imagines a world where the dead are just as beholden to the pressures of fame as the living, and an industry has grown around ambitious apparitions building their personal brands. Urban legends live forever, and forgotten ghosts literally disappear — so get out there and scare ‘em good, kid!

cross-posted from: https://feddit.uk/post/17874221

The Irish thriller Bring Them Down starring Barry Keoghan has won Best Picture at the Texas film festival Fantastic Fest.

Described in the festival's programme as a "beautifully crafted and assured character piece", Bring Them Down won Best Picture in the main competition of the annual Austin-based Fantastic Fest.

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The debut feature of writer-director Christopher Andrews, Bring Them Down is billed as "a suspenseful thriller that observes the escalating tensions of two farming families in the west of Ireland, whose actions have increasingly devastating consequences".

The film had its world premiere at the Toronto International Film Festival earlier this month.

cross-posted from: https://feddit.uk/post/17484037

Following a group of small-town, DIY Indian filmmakers, Reema Kagti‘s “Superboys of Malegaon” is a moving crowd-pleaser that constantly reaffirms its importance through its central theme. Although the film, which is based on real events, often tries to cover too much ground, it continually circles back to the idea that people must see themselves reflected in art, not just out of want, but out of deep desire stemming from need, in order to live with dignity.

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In adding years of context to each decision leading up to this superhero spoof, Varun Grover’s script also adds indelible (and tragic) context to the documentary, as well as the parody film it portrays, while transforming the film’s own tale of scrappy creativity into a spiritually moving look at the meaning of cinematic images, and the immortality they offer. Its shattering climax makes for a wonderful complement to Spanish maestro Victor Erice’s recent comeback, “Close Your Eyes,” which is no easy feat.

The reddit version /r/RAAMACFYL only ever had 250 people and less organic activity than this one.

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