Books

Now that you mention it, yes. The characters are quite 2 dimensional and unlikeable (not all, but definitely important to mention).

That being said I thoroughly enjoyed the books and didn't stop too much on the characters. Under unlikeable, flat, awkward characters there was an interesting premise and good thinking to be had: living in a society that has no private thoughts; dark forest theory, life in a society after the end.
So what I did was take a big sip of suspension of disbelief and enjoyed the ride. The interest to see the conclusion of the story was enough to coast through all three of the books.

Also, I read those just before the hype. I first heard of the first book a few years before from an Adam Savage podcast and the premise stuck to me. So after reading the Witcher I wanted something sci-fi'ish and this hit the spot.

That's because it's great!

OK maybe it's not like objectively great, like in a literary sense, but me and my friends really enjoyed it for its unique voice and fun mystery.

It also spawned so many great conversations between the other programmers I know.

Not to mention the entire premise is invalidated by a cursory review of the Alpha Centauri system.

Love the books but completely agree. I devoured the trilogy but all of the charcters felt like cardboard cut outs. I liked the concept and the story, but hated all of the charcters and the writing in general.

I’m glad you said it. I read so many great reviews for it. It was recommended to me. I tried to read it. Couldn’t get past the first few chapters.

I’m an avid sci-fi reader. I’ve read hundreds of sci-fi books of all sorts; from goofy pulp to sci-fi-smut to high stakes epic novels. But I simply could not get into Three Body Problem.

I thought maybe it was that something was lost in translation.

In the middle of reading it now. Its a dual effect. One is that its natively written in chinese so a lot of its cultural stuff like the beginning will go over english readers heads not knowing that the chinese people literally had an violent orwellian book burning period of their history against academia. I imagine it was an attempt to pull readers in emotionally but Its hard to be emotionally invested in a cultural history you have no knowledge of and its paced badly.

The second is that the sci-fi genre is unfortunately nearly universally populated by nerds with good ideas pretending to be writers. This results in very interesting ideas and thought provoking settings being brought low by eye wateringly boring characters, piss poor narrative through lines, souless or confusing writing style, ect. Go ahead and try to read an Asimov book or Dune and you'll realize This was always the case for decades at least.

In fairness to the authors its hard to tell a civilization spanning futuristic world ending drama while also keeping it grounded.

As an enjoyer of sci-fi you kind of just have to power through the slog of some dead writing to get to the interesting concepts. I've never had the pleasure of reading a harcore sci-fi novel that was also an excellently written character drama. The only soft sci-fi book that pulled off the balance and stuck the landing was The Martian.

not all cultures write soap operas... this is a hard sci-fi trilogy, the lovable characters, comic relief and product placement you are used to are not to be found here

Three Body Problem is what I call "big ideas" sci-fi. Large-scale problems, global crisis, often detailed world-building, sometimes decent plot, but boring characters, who often act simply as reader's eyes / observers.

Many of Alastair Reynolds' novels are like that, so was Red Mars, and even Blindsight and Rosewater.

Not everyone's cup of tea, and I completely understand why.

I read it some time ago before it was hyped up as much, saw it as a fun and interesting read but yeah a little shallow and action movie esque. It is definitely worth reading for the premise if you are a science fiction fan though, that aspect is solid, and I liked how it gives some details about Chinese culture and history that I wasn't very familiar with.

The first one is a major slog, and the next two aren't significantly easier to get through. I thought the ideas were fascinating and the overall story was pretty good. But the characters are all completely flat and uninteresting. I had a tough time remembering who was who, but it really didn't affect the story at all.

Additionally the writing was not great and, especially in the second and third book, very sexist. It was worth it to read once, but I definitely won't be reading it again. My spouse keeps asking if I'll watch the show, but I'm on the fence. I heard they condensed the characters to a more streamlined cast, which would be a good start. But I still doubt I'll watch it.

To each their own!

I didn't super care about the characters but the sci fi problems, solutions and ideas of the whole series were a blast.

That being said, I grew up reading a lot of classic/"hard" sci fi so I'm pretty used to characters taking a back seat to fun/cool ideas.

Thank you.

I read them all, hated them, and spent a good week finding negative reviews so I could fume at them in company.

So here was my experience: finished Project Hail Mary, Google for books similar to it, was recommended 3 Body Problem. Cool. Start listening to it on audible while running errands, a LOT of stuff about the cultural revolution in China, and a very depressed smart young woman and a satellite dish that does weird stuff... a few chapters in and no humor, no science, nothing even remotely like Project Hail Mary or Andy Weir's other writing. So I dropped it.

A year or two later and Netflix adapted the novels into a TV show. Gave it a watch and got pretty bought in. Definitely some cool mystery, intrigue, done if it a bit cheesy, but raised a lot of cool challenges and questions. Also I could see that there was actually some science coming in my science fiction story. So I went back and gave the book a go.

I finished all the books and... it's a bit of a mess narratively. I felt like the author was REALLY good at coming up with creative problems that seemed insurmountable. And many of the solutions to those problem (many, not all) were equally clever and creative. He also came up with the (as far as I'm aware) completely novel concepts of alien biology, culture, and psychology and fictional technologies. But the story very often yadda yadda'd over complex narratives and geopolitical events with time jumps after making them seem like they were incredibly important before hand. He also comes up with some very cool concepts like the Wall Facers and the massive ramifications of having a handful of people that are unquestionable and work in complete secret and will have the highest levels of machinations in the works to save humanity, including one that DOES NOT WANT THE JOB. Such a good setup for so many possibilities... And then they almost immediately backpedal and undermine that with political oversight, borderline cartoon supervillain plans from some of them, and revocation of all of their statuses. There's other stuff too that's just disappointing from a narrative perspective.

But I kept going. I think because the technology was cool, the stakes were massive, the challenge was interesting, some of the mystery was really compelling, and I enjoyed the uniqueness of it all. It could have definitely been better. I think a lot of the ideas could have been explored more thoroughly and more cleanly. But, I don't regret reading it. I think it was pretty cool for the things it did well.

You are correct. And it's not a translation problem, I've heard native speakers that read the original say it's precisely as awkward there.

It's the most over-rated trash I've ever encountered, it's like it's written by someone that discovered the genre but never read a single SF book and just assumed everyone that reads it is a teenager. There's more handwaving going on than a David Blaine performance.

And the later books show plotholes you could throw a truck through, when you get to the deus-ex-machina plot device that invalidates the whole marianne. And the character development never improves, it's just, I have to use the word again, awkward.

I wanted my money back.

Aliens live on a planet orbiting three suns. The planet regularly gets scorched by those suns. Hot enough to melt rocks. How tf these aliens keep evolving and advancing all the way to space travel?

It is utterly ridiculous.

You are absolutely correct OP. They are genuinely terrible books. And no, it's not - as some people like to claim - that book 1 is bad but the series gets better. Out of sheer morbid fascination I have made it to book 3, and it absolutely, categorically, does not get better. Dark Forest is actually worse than Three Body, considerably so. At least all the cultural revolution backstory in book 1 is kind of interesting and well executed. Dark Forest is a steaming pile of bullshit; utterly unlikable characters, one of the weakest versions of a scifi future ever committed to page, endless chapters worth of dumb Death Note style "Aha, but I knew that you knew that I knew that you knew that I knew that you knew that..." bullshit, and the signature premise of the entire book is a theory about the universe grounded in some absolutely atrocious game theory that can be disproved in five minutes. And ten chapters into Death's End... Yeah, it's still awful. Even more unlikable or just outrageously unbelievable characters - the author writes like he's never actually interacted with another human being - and dull plotting with no sense of pacing or urgency.

Cixin Liu has some strengths as a writer; at times he shows himself adept at building anticipation, he's good at knowing how to lay out his ideas towards a conclusion without suddenly dumping everything on you at the last second (something a lot of writers struggle with) and he really is very good at big crazy scifi ideas that make you go "Wow, that's so cool." But he's a bad writer. I compare him a lot to Asimov, in that he's strong on ideas and weak on everything else. But Asimov was primarily known for his short stories, where those strengths could shine and the weaknesses could be hidden (which is exactly why the Foundation novels get worse as they move away from being collections of novellas and towards being full length novels). Liu on the other hand writes interminably long books that absolutely expose those weaknesses. When it shines, it's really cool. There's one particular sequence in Dark Forest that really does stand out as being an incredibly inventive idea, executed very competently. But the standout moments just aren't worth the dross you have to wade through to get there.

I think there's a real struggle in translating Chinese literature into English.

For what it's worth, the second book - The Dark Forest - starts off much stronger and builds from there, making the first book feel more like it was just introducing the story.