Microblog Memes

The short answer is it's not books. It's mostly licencing deals in the form of video games and merchandise... However HBO is about to put forward a new series that JKR will have executive control and an executive sized pay check for.

It's the "well it already exists and licencing deals are already paid, might as well watch it/play it/own it" that keeps the whole engine rolling on. Every time there's a little bit of advocacy to disengage from the fandom it is always spun as "too late" or focuses on the books or death of the author... But all that's really required is ambivalence.

Inevitably the new HP thing will come out and whether or not trans people mention anything people will drag up the controversy, use the reminder to brigade the spaces trans people connect online, try and goad their trans coworker for a commentary and set off yet another flurry of right wing backlash that makes elevating the franchise a patriotic duty to "stick it to the moralizing trans people to show them who is boss". All of this causes more cultural pressure on a population already underwater with being chased out of the public sphere but it will be framed as a just retaliation for a perceived slight.

It's a song and dance that will continue ad infinitum as long as it's profitable because appearantly nostalgia is worth turning a blind eye to the where the money goes.

I wasn't interested in playing it, but now I'm gonna do this out of spite.

it is interesting how JK Rowling hasn't had the same boycott pressure than Elon Musk and Tesla, I think trans rights are just not as motivating to most people, unfortunately

because it's Don't support assholes,

but what if it affects me personally?

They're basically swifties ffs.

Discworld explores gender a few times in a way that I like.

Monstrous Regiment is about a bunch of women who pretend to be men to join their military. For the most part - these aren’t trans characters, they identify as female. The funny is the characters slowly discovering that everyone else in their group is doing the same thing. One character though, explicitly identifies as male after the “reveal” and has male pronouns used for them.

Discworld as a series tends to be irreverent without punching down. Comedy is a weapon in Pratchett’s hands, but his targets are capitalism and oppressive systems.

LeGuin has a lot of interesting takes on gender. The Hainnish cycle is about a race of humans who had previously colonized a bunch of planets and did lots of experimentation on those populations - kinda Vault Tec vibes. The civilization collapses/gets better, and the POV character is usually some type of researcher/anthropologist looking at how those planets develop The Left Hand of Darkness is a sci fi classic: a planet where people stay sexless until they go into “heat” and will develop the opposite genitals of the person who they are attracted to. There’s lots of switching back and forth. It’s a big deal when the king gets pregnant, because only children the king carries can inherit the throne.

Any LeGuin is good. Earthsea is a far superior children’s series compared to Harry Potter. Nothing that really makes it explicitly trans but the process of finding your true name and accepting yourself is something that resonated very much with me. (Also props to LeGuin for being very forceful with insisting that the characters not be depicted as white. None of this pussyfooting retroactive “I never said Hermione was white!”)

Anne Leckie’s Imperial Radch trilogy is also more gender bending sci fi. Everyone is “she.” The first book was part of the Sad Puppies drama, because it won Hugo’s and absolutely pissed a bunch of a bunch of chuds.