underline960

joined 2 weeks ago
[–] underline960@sh.itjust.works 6 points 10 hours ago* (last edited 10 hours ago) (1 children)

I remember a Freakonomics episode that described an experimental alternative to traffic cops: a "good driver" lottery.

If you're "caught" driving the speed limit, you get entered into a lottery. Less adversarial relationship with traffic cops and more drivers would be incentivized to drive safe more often.

Edit: It was apparently an article, not a podcast.

[–] underline960@sh.itjust.works 8 points 10 hours ago (1 children)

I see a lot of well-meaning support for this. I can't help but think there has to be a way to implement these kinds of controls without taking power away from the user.

Like the Fediverse implementing better mod tools rather than expecting Twitter to effectively moderate the internet.

[–] underline960@sh.itjust.works 1 points 11 hours ago

What movie is this from?

[–] underline960@sh.itjust.works 1 points 16 hours ago

In our world.

I would consider Wheel of Time as an example of fantasy with reskinned real world cultures.

Andor is essentially a landlocked version of England, having a "Lion Throne" and ruled by a queen. Cairhien and Mayene bear similarities to France (Cairhien has the Sun Throne; Mayener names are reminiscent of French). Arad Doman resembles Arabic countries and Iran. (source: TV Tropes)

It's well-written, but by nature of being fantasy, it sidesteps the challenge of writing meaningful interactions between real world communities.

[–] underline960@sh.itjust.works 1 points 16 hours ago

If I were to check him out, what book should I start with?

 

The authors who manage to clear the low bar of incorporating characters/communities from diverse cultures into their fiction without cultural appropriation/stereotyping/racism... who are they and how do they do it?

I know many writers sidestep the difficulty altogether, either by creating a fictional universe with cultural proxies (fantasy stories/video games with Chinese, Japanese, and Russian analogues, I'm looking at you) or by writing in the distant future where the cultures have blended into new ones with flavors of the past (sci-fi does this a lot).

I've seen so very few authors do it well, but I do believe it's both possible and worth doing.

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submitted 1 day ago* (last edited 1 day ago) by underline960@sh.itjust.works to c/books@lemmy.ml
 

The authors who manage to clear the low bar of incorporating characters/communities from diverse cultures into their fiction without cultural appropriation/stereotyping/racism... who are they and how do they do it?

I know many writers sidestep the difficulty altogether, either by creating a fictional universe with cultural proxies (fantasy stories/video games with Chinese, Japanese, and Russian analogues, I'm looking at you) or by writing in the distant future where the cultures have blended into new ones with flavors of the past (sci-fi does this a lot).

I've seen so very few authors do it well, but I do believe it's both possible and worth doing.

[–] underline960@sh.itjust.works 2 points 1 day ago (2 children)

Why would you torrent Wikipedia?

[–] underline960@sh.itjust.works 63 points 2 days ago* (last edited 2 days ago) (1 children)

A beta build of Android 16 contains an early version of Google’s new Android Desktop Mode that, in the future, could let users simply plug their smartphone into a monitor and use it like a laptop or desktop computer.

!savedyouaclick@lemmy.world

 

I've heard some servers struggled or even had to shut down because of storage costs. But that was a while ago, so it may not even still be a thing anymore.

There's the option of posting images to third-party services (like imgur or whatever), but I've been frustrated with not being able to see third-party images when scrolling the feed in Lemmy apps.

What's the meta right now?

[–] underline960@sh.itjust.works 90 points 1 week ago (39 children)

Well that's a rude thing to say to your... girlfriend?

[–] underline960@sh.itjust.works 45 points 1 week ago (7 children)

The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. ... A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. ... But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while a poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes 'Boots' theory of socio-economic unfairness. (Terry Pratchett, Men at Arms)

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